Los seleccionadores campeones de Europa

Entrenadores que conquistaron el viejo continente

El alemán Otto Rehhagel celebra en Atenas la Eurocopa de Portugal en 2004

En esta secuencia que estamos haciendo en MuchoMundial con respecto a los equipos y jugadores que inscribieron su nombre en los grandes torneos de selecciones todavía no habíamos abierto el capítulo de los entrenadores.

En el artículo podemos observar aquellos jefes del vestuario que dirigieron a sus pupilos a la conquista de Europa. En dicha tabla sólo encontraremos un seleccionador no nacido en la nación a la que entrenaba, Otto Rehhagel, quien fue el principal artífice de la hazaña griega en 2004 en el torneo organizado en Portugal.


Entrenadores que vencieron el torneo europeo
Eurocopa Entrenadores Selección campeona
1960 Gavriil Kachalin Unión Soviética
1964 José Villalonga España
1968 Ferruccio Valcareggi Italia
1972 Helmut Schön Alemania Occidental
1976 Václav Ježek Checoslovaquia
1980 Jupp Derwall Alemania Occidental
1984 Michel Delgado Francia
1988 Rinus Michels Holanda
1992 Denmark Richard Møller Nielsen Denmark Dinamarca
1996 Berti Vogts Alemania
2000 Roger Lemerre Francia
2004 Otto Rehhagel Grecia
2008 Luis Aragonés España

Descargar Guía Eurocopa 2012 Mucho Mundial

4 comentarios sobre Los seleccionadores campeones de Europa

  1. Yaasiin says:

    a nice thing about a book I enjoyed. Whatever they liked (and I’m not sure if they ever liked aynhting), their taste was sure as hell opposite to mine.I think it’s an open secret that there was and is quite a bit of tit for tat backscratching going on in the traditional publishing industry. And reviews are just one person’s personal opinion, not the kind of unbiased judgment handed down from on high that some people seem to view them as. At any rate, I got badly blasted a few months ago when I politely suggested that every reviewer or review outlet was biased and that there was no such thing as a completely objective review. A self-appointed guardian of literary quality begged to differ, quite vehemently. Apparently, I missed the announcement that God had died and named that guy his successor.

  2. Mayun says:

    Thanks for the clarification, Paul.I think we’re aacutlly in agreement here, because the intense and exclusive money focus of some self-publishers can be annoying, i.e. the sort of writers who chase trends and change their blurb and book cover every two weeks (and usually make it blander with every incarnation) hoping that now they will finally strike it rich. But then, you get the trendchasers in the traditional publishing world as well. How many people in both camps are writing billionaire and virgin secretary erotic romance with mild BDSM these days, not because it’s what they really want to write, but to cash in on the success of Fifty Shades of Grey? Before that it was dystopian YA and before that thinly veiled Twilight knockoffs that gave the whole urban fantasy/paranormal romance a bad name.As for the terms indie and traditional publishing , they’re not what I would have chosen (and I never liked the term indie as applied to anything it always makes me think of Indiana Jones) but the terms that have become accepted. Legacy publishing is the one I really hate and refuse to use, because until someone dies and decides to bequeath a publishing house to me, there is no such thing as legacy publishing .I think there’s also a difference here between indie (for lack of a better word) as a production mode and indie as an attitude. Indie as an attitude means outside the mainstream (and more power to them), while indie as a production mode simply means produced independently from the big media conglomerates. In the indie as production mode sense of the term, Uwe Boll is an indie film maker and amateur choirs recording CDs of painfully saccharine pseudo folk music are indie musicians and ultra-commercial self-publishers like John Locke are indie authors. It would be great if we could find a way to differentiate between the two meanings of the term, but so far it seems we’re stuck with it.

  3. Aksay says:

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